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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Georgics by Virgil:

Disease and fear before her, day by day Still rearing higher that all-devouring head. With bleat of flocks and lowings thick resound Rivers and parched banks and sloping heights. At last in crowds she slaughters them, she chokes The very stalls with carrion-heaps that rot In hideous corruption, till men learn With earth to cover them, in pits to hide. For e'en the fells are useless; nor the flesh With water may they purge, or tame with fire, Nor shear the fleeces even, gnawed through and through


Georgics
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aesop's Fables by Aesop:

"I would have no objection," said the Wolf, "if I could only get a place."

"I will easily arrange that for you," said the Dog; "come with me to my master and you shall share my work."

So the Wolf and the Dog went towards the town together. On the way there the Wolf noticed that the hair on a certain part of the Dog's neck was very much worn away, so he asked him how that had come about.

"Oh, it is nothing," said the Dog. "That is only the place where the collar is put on at night to keep me chained up; it chafes a bit, but one soon gets used to it."


Aesop's Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gettysburg Address by Abraham Lincoln:

#STARTMARK#

Four score and seven years ago, our fathers brought forth upon this continent a new nation: conceived in liberty, and dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war. . .testing whether that nation, or any nation so conceived and so dedicated. . . can long endure. We are met on a great battlefield of that war.

We have come to dedicate a portion of that field as a final resting place for those who here gave their lives that this nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we cannot dedicate. . .we cannot consecrate. . .

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

strange Landfall, or taking with an untroubled mind the bearings for his last Departure?

It is hard to say; for in that voyage from which no man returns Landfall and Departure are instantaneous, merging together into one moment of supreme and final attention. Certainly I do not remember observing any sign of faltering in the set expression of his wasted face, no hint of the nervous anxiety of a young commander about to make land on an uncharted shore. He had had too much experience of Departures and Landfalls! And had he not "served his time" in the famous copper-ore trade out of the Bristol Channel, the work of the staunchest ships afloat, and the school of staunch seamen?


The Mirror of the Sea