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Today's Stichomancy for Dwight Eisenhower

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crisis in Russia by Arthur Ransome:

congresses to do the same with the Trades Unions. This done, a further series of propaganda meetings among the people actually to be affected smooths the way for the introduction of whatever new measure is being carried through at the moment. All this talk, besides lessening the amount of physical force necessary in carrying out a decision, must also avoid, at least in part, the deadening effect that would be caused by mere compulsory obedience to the unexplained orders of a military dictator. Of the reality of the Communist Dictatorship I have no sort of doubt. But its methods are such as tend towards the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Frankenstein by Mary Shelley:

I felt sick and hardly able to hold the rudder, when suddenly I saw a line of high land towards the south.

Almost spent, as I was, by fatigue and the dreadful suspense I endured for several hours, this sudden certainty of life rushed like a flood of warm joy to my heart, and tears gushed from my eyes.

How mutable are our feelings, and how strange is that clinging love we have of life even in the excess of misery! I constructed another sail with a part of my dress and eagerly steered my course towards the land. It had a wild and rocky appearance, but as I approached nearer I easily perceived the traces of cultivation. I saw vessels near the shore and found myself suddenly transported


Frankenstein
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

in his social ascent when it was of importance to produce such impressions.

The provoking part was that Lily knew all this--knew how easy it would have been to silence him on the spot, and how difficult it might be to do so afterward. Mr. Simon Rosedale was a man who made it his business to know everything about every one, whose idea of showing himself to be at home in society was to display an inconvenient familiarity with the habits of those with whom he wished to be thought intimate. Lily was sure that within twenty-four hours the story of her visiting her dress-maker at the Benedick would be in active circulation among Mr. Rosedale's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

seventh decade of the last century. It was a fine period in ship- building, and also, I might say, a period of over-masting. The spars rigged up on the narrow hulls were indeed tall then, and the ship of which I think, with her coloured-glass skylight ends bearing the motto, "Let Glasgow Flourish," was certainly one of the most heavily-sparred specimens. She was built for hard driving, and unquestionably she got all the driving she could stand. Our captain was a man famous for the quick passages he had been used to make in the old Tweed, a ship famous the world over for her speed. The Tweed had been a wooden vessel, and he brought the tradition of quick passages with him into the iron clipper. I was the junior in


The Mirror of the Sea