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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Some Reminiscences by Joseph Conrad:

company of pure esthetes.

As in political so in literary action a man wins friends for himself mostly by the passion of his prejudices and by the consistent narrowness of his outlook. But I have never been able to love what was not lovable or hate what was not hateful, out of deference for some general principle. Whether there be any courage in making this admission I know not. After the middle turn of life's way we consider dangers and joys with a tranquil mind. So I proceed in peace to declare that I have always suspected in the effort to bring into play the extremities of emotions the debasing touch of insincerity. In order to move


Some Reminiscences
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac:

posters,--who has, nevertheless, not a single clean corner, so complying is she to the vices of the French nation! Who has not chanced to leave his home early in the morning, intending to go to some extremity of Paris, and found himself unable to get away from the centre of it by the dinner-hour? Such a man will know how to excuse this vagabondizing start upon our tale; which, however, we here sum up in an observation both useful and novel, as far as any observation can be novel in Paris, where there is nothing new,--not even the statue erected yesterday, on which some young gamin has already scribbled his name.

Well, then! there are streets, or ends of streets, there are houses,


Ferragus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

The nature of a work of art, and the mode in which it is produced, are subjects well worthy of careful study. Architecture and music, poetry, painting and sculpture, have in times past constituted a vast portion of human activity; and without knowing something of the philosophy of art, we need not hope to understand thoroughly the philosophy of history.

In entering upon the study of art in general, one may find many suggestive hints in the little books of M. Taine, reprinted from the lectures which he has been delivering at the ecole des Beaux Arts. The first, on the Philosophy of Art, designated at the head of this paper, is already accessible to the American reader; and


The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche:

oneself. Rather is it of all arts the finest, subtlest, last and patientest.

For to its possessor is all possession well concealed, and of all treasure- pits one's own is last excavated--so causeth the spirit of gravity.

Almost in the cradle are we apportioned with heavy words and worths: "good" and "evil"--so calleth itself this dowry. For the sake of it we are forgiven for living.

And therefore suffereth one little children to come unto one, to forbid them betimes to love themselves--so causeth the spirit of gravity.

And we--we bear loyally what is apportioned unto us, on hard shoulders, over rugged mountains! And when we sweat, then do people say to us: "Yea,


Thus Spake Zarathustra