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Today's Stichomancy for Jon Stewart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grande Breteche by Honore de Balzac:

" 'Who is Monsieur Regnault?'

" 'What, sir, do you not know Monsieur Regnault?--Well, that's odd,' said she, leaving the room.

"On a sudden I saw a man appear, tall, slim, dressed in black, hat in hand, who came in like a ram ready to butt his opponent, showing a receding forehead, a small pointed head, and a colorless face of the hue of a glass of dirty water. You would have taken him for an usher. The stranger wore an old coat, much worn at the seams; but he had a diamond in his shirt frill, and gold rings in his ears.

" 'Monsieur,' said I, 'whom have I the honor of addressing?'--He took a chair, placed himself in front of my fire, put his hat on my table,


La Grande Breteche
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

as his mind was so busy that no mere physical sensation could divert his attention for a moment. Muller never seemed to need sleep or food when he was on the trail, particularly not in the fascinating first stages of the case when it was his imagination alone, catching at trifles unnoticed by others, combining them in masterly fashion to an ordered whole, that first led the seekers to the truth. Now he went over once more all the little apparently trivial incidents that had caused him first to watch the Thorne household and then had drawn his attention, and his suspicion, to Adele Bernauer. It was the broken willow twig that had first drawn his attention to the old garden next the Thorne property.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

had in store for me: that for a whole year of my life, indeed, I was to do little else. But so has my portion been meted out to me; and during the last few months I have, after terrible difficulties and struggles, been able to comprehend some of the lessons hidden in the heart of pain. Clergymen and people who use phrases without wisdom sometimes talk of suffering as a mystery. It is really a revelation. One discerns things one never discerned before. One approaches the whole of history from a different standpoint. What one had felt dimly, through instinct, about art, is intellectually and emotionally realised with perfect clearness of vision and absolute intensity of apprehension.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucky O'Connor by William MacLeod Raine:

this life, boy. Quit it, and live straight. There's nothing to it, York."

The cowboy-bandit choked. "Don't you worry about me, cap. I'm all right. I'd just as lief quit this deviltry, anyhow."

"I want you to promise, boy." A whimsical, half-cynical smile touched Leroy's eyes. "You see, after living like a devil for thirty years, I want to die like a Christian. Now, go, York."

After Neil had left him, Leroy's eyes closed. Faintly he heard two more shots echoing down the valley, but the meaning of them was already lost to his wandering mind.

Neil dodged rapidly round the foot of the mountain with intent to