The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Betty by Honore de Balzac: his exploits in 1799 and 1800, had come to settle in Paris near his
brother, for whom he had a fatherly affection.
This old soldier's heart was in sympathy with his sister-in-law; he
admired her as the noblest and saintliest of her sex. He had never
married, because he hoped to find a second Adeline, though he had
vainly sought for her through twenty campaigns in as many lands. To
maintain her place in the esteem of this blameless and spotless old
republican--of whom Napoleon had said, "That brave old Hulot is the
most obstinate republican, but he will never be false to me"--Adeline
would have endured griefs even greater than those that had just come
upon her. But the old soldier, seventy-two years of age, battered by
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini: escape; the horses were at the door, and Mr. Wilding was in the act of
drawing on the fresh pair of boots which Walters had fetched him.
Suddenly he paused, his foot in the leg of his right boot, and sat
bemused a moment.
Trenchard, watching him, waxed impatient. "What ails you now?" he
croaked.
Without answering him, Wilding turned to Walters. "Where are the boots
I wore last night?" he asked, and his voice was sharp - oddly sharp,
considering how trivial the matter of his speech.
"In the kitchen," answered Walters.
"Fetch me them." And he kicked off again the boot he had half drawn on.
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