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Today's Stichomancy for Barbara Streisand

The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare:

if he goe about to expound this dreame. Me-thought I was, there is no man can tell what. Me-thought I was, and me-thought I had. But man is but a patch'd foole, if he will offer to say, what me-thought I had. The eye of man hath not heard, the eare of man hath not seen, mans hand is not able to taste, his tongue to conceiue, nor his heart to report, what my dreame was. I will get Peter Quince to write a ballet of this dreame, it shall be called Bottomes Dreame, because it hath no bottome; and I will sing it in the latter end of a play, before the Duke. Peraduenture, to make it the more gracious, I shall sing it


A Midsummer Night's Dream
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Songs of Innocence and Experience by William Blake:

So I piped: he wept to hear.

'Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!' So I sung the same again, While he wept with joy to hear.

'Piper, sit thee down and write In a book, that all may read.' So he vanished from my sight; And I plucked a hollow reed,

And I made a rural pen, And I stained the water clear,


Songs of Innocence and Experience
The third excerpt represents the future or something you must embrace, and is drawn from Essays & Lectures by Oscar Wilde:

to you the general ideas which characterise the great English Renaissance of Art in this century, to discover their source, as far as that is possible, and to estimate their future as far as that is possible.

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent