| The first excerpt represents the past or something you must release, and is drawn from The Elixir of Life by Honore de Balzac: alike eager to win the favor of this new candidate for
canonization, and these self-commending illuminations turned the
great building into an enchanted fairyland. The black archways,
the shafts and capitals, the recessed chapels with gold and
silver gleaming in their depths, the galleries, the Arab
traceries, all the most delicate outlines of that delicate
sculpture, burned in the excess of light like the fantastic
figures in the red heart of a brazier. At the further end of the
church, above that blazing sea, rose the high altar like a
splendid dawn. All the glories of the golden lamps and silver
candlesticks, of banners and tassels, of the shrines of the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair: you to hustle and make money. We saw in our politics the growth
of a Party of the Full Dinner-Pail; contemporaneous therewith,
and corresponding thereto, we see in our religious life the
development of a Church of the Full Pocket-Book.
It is a strict religion--strictly cash. The heads of the cult do
not issue cheap editions of "Science and Health, With Key to the
Scriptures", to relieve the suffering of the proletariat; no--the
work is copyrighted, in all its varying and contradictory
editions, and the price is from three to seven-fifty, according
to binding. Treatments cost from three dollars to ten, whether
you come and get them or take them over the telephone. And we
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The third excerpt represents the future or something you must embrace, and is drawn from Another Study of Woman by Honore de Balzac: been my portion of love in this base world.
"One morning, attacked by the feverish stiffness which marks the
beginning of a cold, I wrote her a line to put off one of those secret
festivals which are buried under the roofs of Paris like pearls in the
sea. No sooner was the letter sent than remorse seized me: she will
not believe that I am ill! thought I. She was wont to affect jealousy
and suspiciousness.--When jealousy is genuine," said de Marsay,
interrupting himself, "it is the visible sign of an unique passion."
"Why?" asked the Princesse de Cadignan eagerly.
"Unique and true love," said de Marsay, "produces a sort of corporeal
apathy attuned to the contemplation into which one falls. Then the
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