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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Emma McChesney & Co. by Edna Ferber:

west and----' "

"Where's that child?" demanded Emma McChesney Buck. "Where's my baby?"

"Sh-sh-sh-sh!" came in a sibilant duet from Grace and Jock. "Not now. She's sleeping. We were up with her for three hours last night. It was the new food. She's not used to it yet."

"But, you foolish children, can't I peek at her?"

"Oh, dear, no!" said Grace hastily. "We never go into her room when she's asleep. This is your room, mother dear. And just as soon as she wakes up--this is your bath--you'll want to freshen up. Dear me; who could have hung the baby's little shirt


Emma McChesney & Co.
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from From London to Land's End by Daniel Defoe:

quantities of money; and strange unprecedented ways were used by them to come at it: some, I say, with one kind of engine, and some another; and though we thought several of them very strange impracticable methods, yet I was assured by the country people that they had done wonders with them under water, and that some of them had taken up things of great weight and in a great depth of water. Others had split open the wrecks they had found in a manner one would have thought not possible to be done so far under water, and had taken out things from the very holds of the ships. But we could not learn that they had come at any pieces of eight, which was the thing they seemed most to aim at and depend upon; at least,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gulliver's Travels by Jonathan Swift:

and when part of these stones is fixed in the earth, as it sometimes happens, they will dig with their claws for whole days to get them out; then carry them away, and hide them by heaps in their kennels; but still looking round with great caution, for fear their comrades should find out their treasure." My master said, "he could never discover the reason of this unnatural appetite, or how these stones could be of any use to a YAHOO; but now he believed it might proceed from the same principle of avarice which I had ascribed to mankind. That he had once, by way of experiment, privately removed a heap of these stones from the place where one of his YAHOOS had buried it; whereupon the


Gulliver's Travels
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield:

parties. The Samuel Josephs were always giving children's parties at the Bay and there was always the same food. A big washhand basin of very brown fruit-salad, buns cut into four and a washhand jug full of something the lady-help called "Limonadear." And you went away in the evening with half the frill torn off your frock or something spilled all down the front of your open-work pinafore, leaving the Samuel Josephs leaping like savages on their lawn. No! They were too awful.

On the other side of the beach, close down to the water, two little boys, their knickers rolled up, twinkled like spiders. One was digging, the other pattered in and out of the water, filling a small bucket. They were the Trout boys, Pip and Rags. But Pip was so busy digging and Rags was so