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Today's Stichomancy for Bob Dylan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land of Footprints by Stewart Edward White:

were of course such affairs as hyenas and jackals, and great numbers of small game: hares, ducks, three kinds of grouse, guinea fowl, pigeons, quail, and jack snipe, not to speak of a variety of plover.

In the drier extents of dry grass atop the bluffs the dance birds were especially numerous; each with his dance ring nicely trodden out, each leaping and falling rhythmically for hours at a time. Toward sunset great flights of sand grouse swarmed across the yellowing sky from some distant feeding ground.

Near Juja I had one of the three experiences that especially impressed on my mind the abundance of African big game. I had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Youth by Joseph Conrad:

back three times.' On holidays the small boys pulling about in boats would hail, 'Judea, ahoy!' and if a head showed above the rail shouted, 'Where you bound to?-- Bankok?' and jeered. We were only three on board. The poor old skipper mooned in the cabin. Mahon un- dertook the cooking, and unexpectedly developed all a Frenchman's genius for preparing nice little messes. I looked languidly after the rigging. We became citizens of Falmouth. Every shopkeeper knew us. At the bar- ber's or tobacconist's they asked familiarly, 'Do you think you will ever get to Bankok?' Meantime the


Youth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life of the Spider by J. Henri Fabre:

to weave the outer wrapper. Because of the thickness of the stuff and the density of its texture, this operation is the longest of the series.

First, a few threads are flung out, hither and thither, to keep the layer of wadding in position. The Epeira takes special pains with the edge of the neck, where she fashions an indented border, the angles of which, prolonged with cords or lines, form the main support of the building. The spinnerets never touch this part without giving it, each time, until the end of the work, a certain added solidity, necessary to secure the stability of the balloon. The suspensory indentations soon outline a crater which needs


The Life of the Spider
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from De Profundis by Oscar Wilde:

And if life be, as it surely is, a problem to me, I am no less a problem to life. People must adopt some attitude towards me, and so pass judgment, both on themselves and me. I need not say I am not talking of particular individuals. The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me. Nor am I making any demands on life. In all that I have said I am simply concerned with my own mental attitude towards life as a whole; and I feel that not to be ashamed of having been punished is one of the first points I must attain to, for the sake of my own perfection, and because I am so