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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The First Men In The Moon by H. G. Wells:

Once the chill of my opposition was removed, his own pent-up excitement had play. He too got up and paced. He too gesticulated and shouted. We behaved like men inspired. We were men inspired.

"We'll settle all that!" he said in answer to some incidental difficulty that had pulled me up. "We'll soon settle that! We'll start the drawings for mouldings this very night."

"We'll start them now," I responded, and we hurried off to the laboratory to begin upon this work forthwith.

I was like a child in Wonderland all that night. The dawn found us both still at work - we kept our electric light going heedless of the day. I remember now exactly how these drawings looked. I shaded and tinted while


The First Men In The Moon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

bottles of old wine with a little "liqueur des iles," a treasure left over from her former business.

"Agathe," she said at dessert, "we must let him smoke his cigars," and she offered some to Philippe.

These two poor creatures fancied that if they let the fellow take his ease, he would like his home and stay in it; both, therefore, tried to endure his tobacco-smoke, though each loathed it. That sacrifice was not so much as noticed by Philippe.

On the morrow, Agathe looked ten years older. Her terrors calmed, reflection came back to her, and the poor woman had not closed an eye throughout that horrible night. She was now reduced to six hundred

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Professor by Charlotte Bronte:

the old duenna at present graced with that title in our house, had inspired her son with such enthusiasm of filial piety, as to induce him to fit up apartments expressly for her use, I concluded, in common with the cook, the two housemaids, and the kitchen-scullion, that a new and more juvenile Madame was destined to be the tenant of these gay chambers.

Presently official announcement of the coming event was put forth. In another week's time M. Francois Pelet, directeur, and Mdlle. Zoraide Reuter, directrice, were to be joined together in the bands of matrimony. Monsieur, in person, heralded the fact to me; terminating his communication by an obliging expression of


The Professor
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

clasping his hands on his waistcoat in an attitude which would recall to me the east verandah, where he used to sit talking quietly and puffing out his cheeks in what seemed now old, very old days. He talked in a reasonable somewhat anxious tone.

"No, no. We did not know anything for weeks. Out of the way like that, we couldn't, of course. No mail service to the Seven Isles. But one day I ran over to Banka in my big sailing-boat to see whether there were any letters, and saw a Dutch paper. But it looked only like a bit of marine news: English brig Bonito gone ashore outside Makassar roads. That was all. I took the paper home with me and showed it to her. 'I will never forgive him!' she


'Twixt Land & Sea