The first excerpt represents the past or something you must release, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: So passionate and profound became the terror, that I began to share
the opinion which I heard expressed, regretting the widespread
publicity of the modern press, since, with many undeniable
benefits, it carried also the fatal curse of distributing through
households, and keeping constantly under the excitement of
discussion, images of crime and horror which would tend to
perpetuate and extend the excesses of individual passion. The mere
dwelling long on such a topic as this was fraught with evil.
This and more I heard discussed as I hurried back to Munich. To
Munich? Yes; thither I was posting with all speed. Not a shadow
of doubt now remained in my mind. I knew the assassin, and was
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart: would be doing by remaining--
He was there at last, flinging across the courtyard like a
madman. Peter was already there; his footprints were fresh in the
slush of the path. The house door was closed but not locked.
McLean ran up the stairs. It was barely twilight outside, but the
staircase well was dark. At the upper landing he was compelled to
fumble for the bell.
Peter admitted him. The corridor was unlighted, but from the
salon came a glow of lamplight. McLean, out of breath and
furious, faced Peter.
"I want to see Harmony," he said without preface.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Octopus by Frank Norris: Broderson. Wake up, Ruggles. What's all this talk in
Genslinger's rag about the grading of the value of our lands this
winter and an advance in the price?"
Ruggles spread out his hands with a deprecatory gesture.
"I don't own the 'Mercury,'" he said.
"Well, your company does."
"If it does, I don't know anything about it."
"Oh, rot! As if you and Genslinger and S. Behrman didn't run the
whole show down here. Come on, let's have it, Ruggles. What
does S. Behrman pay Genslinger for inserting that three-inch ad.
of the P. and S. W. in his paper? Ten thousand a year, hey?"
|