The first excerpt represents the past or something you must release, and is drawn from All's Well That Ends Well by William Shakespeare: My being here it is that holds thee hence:
Shall I stay here to do't? no, no, although
The air of paradise did fan the house,
And angels offic'd all: I will be gone,
That pitiful rumour may report my flight
To consolate thine ear. Come, night; end, day!
For with the dark, poor thief, I'll steal away.
[Exit.]
SCENE 3. Florence. Before the DUKE's palace.
[Flourish. Enter the DUKE OF FLORENCE, BERTRAM, PAROLLES, Lords,
Soldiers, and others.]
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Catriona by Robert Louis Stevenson: feel sure you would not find it to agree with you."
"Tit you effer hear where Alan Grigor fand the tangs?" said he.
I asked him what he could possibly mean, and he answered, with a
heckling laugh, that he thought I must have found the poker in the same
place and swallowed it.
There could be no mistake about this, and my cheek burned.
"Before I went about to put affronts on gentlemen," said I, "I think I
would learn the English language first."
He took me by the sleeve with a nod and a wink and led me quietly
outside Hope Park. But no sooner were we beyond the view of the
promenaders, than the fashion of his countenance changed. "You tam
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The third excerpt represents the future or something you must embrace, and is drawn from Idylls of the King by Alfred Tennyson: As Mark would sully the low state of churl:
And, seeing he hath sent us cloth of gold,
Return, and meet, and hold him from our eyes,
Lest we should lap him up in cloth of lead,
Silenced for ever--craven--a man of plots,
Craft, poisonous counsels, wayside ambushings--
No fault of thine: let Kay the seneschal
Look to thy wants, and send thee satisfied--
Accursed, who strikes nor lets the hand be seen!'
And many another suppliant crying came
With noise of ravage wrought by beast and man,
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