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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

the process of shaving. "Look how round my chin is!" was his usual formula. On the present occasion, however, he looked neither at chin nor at any other feature, but at once donned his flower-embroidered slippers of morroco leather (the kind of slippers in which, thanks to the Russian love for a dressing-gowned existence, the town of Torzhok does such a huge trade), and, clad only in a meagre shirt, so far forgot his elderliness and dignity as to cut a couple of capers after the fashion of a Scottish highlander--alighting neatly, each time, on the flat of his heels. Only when he had done that did he proceed to business. Planting himself before his dispatch-box, he rubbed his hands with a satisfaction worthy of an incorruptible rural magistrate


Dead Souls
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

That young man from another city who made the remark which you remember about Boston State-house and Boston folks, has appeared at our table repeatedly of late, and has seemed to me rather attentive to this young lady. Only last evening I saw him leaning over her while she was playing the accordion, - indeed, I undertook to join them in a song, and got as far as "Come rest in this boo-oo," when, my voice getting tremulous, I turned off, as one steps out of a procession, and left the basso and soprano to finish it. I see no reason why this young woman should not be a very proper match for a man that laughs about Boston State-house. He can't be very particular.


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Statesman by Plato:

bring disgrace upon the argument at its close.

YOUNG SOCRATES: We must certainly avoid that.

STRANGER: Then let us make a new beginning, and travel by a different road.

YOUNG SOCRATES: What road?

STRANGER: I think that we may have a little amusement; there is a famous tale, of which a good portion may with advantage be interwoven, and then we may resume our series of divisions, and proceed in the old path until we arrive at the desired summit. Shall we do as I say?

YOUNG SOCRATES: By all means.

STRANGER: Listen, then, to a tale which a child would love to hear; and


Statesman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedo by Plato:

the same instant, and yet he who pursues either is generally compelled to take the other; their bodies are two, but they are joined by a single head. And I cannot help thinking that if Aesop had remembered them, he would have made a fable about God trying to reconcile their strife, and how, when he could not, he fastened their heads together; and this is the reason why when one comes the other follows, as I know by my own experience now, when after the pain in my leg which was caused by the chain pleasure appears to succeed.

Upon this Cebes said: I am glad, Socrates, that you have mentioned the name of Aesop. For it reminds me of a question which has been asked by many, and was asked of me only the day before yesterday by Evenus the poet