Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Inland Voyage by Robert Louis Stevenson:

surely be satisfied, and take the rest for granted; or, what is a great deal better, boldly make up your mind that you can do perfectly well without the rest; and that ten thousand bad traits cannot make a single good one any the less good.

It was getting late. M. Hector lit a stable lantern and went off to his cart for some arrangements; and my young gentleman proceeded to divest himself of the better part of his raiment, and play gymnastics on his mother's lap, and thence on to the floor, with accompaniment of laughter.

'Are you going to sleep alone?' asked the servant lass.

'There's little fear of that,' says Master Gilliard.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Return of the Native by Thomas Hardy:

it to the floor. The hinge burst open, and a number of letters tumbled out.

"Stay!" said Eustacia, stepping before him with more excitement than she had hitherto shown.

"Come, come! stand away! I must see them."

She looked at the letters as they lay, checked her feeling and moved indifferently aside; when he gathered them up, and examined them.

By no stretch of meaning could any but a harmless construction be placed upon a single one of the letters themselves. The solitary exception was an empty envelope directed to her,

Return of the Native

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Father Sergius by Leo Tolstoy:

strapped on his back.

When she came in, carrying a small tin lamp without a shade, he raised his fine weary eyes and sighed very deeply.

'I did not tell them who you are,' she began timidly. 'I only said that you are a pilgrim, a nobleman, and that I used to know you. Come into the dining-room for tea.'

'No . . .'

'Well then, I'll bring some to you here.'

'No, I don't want anything. God bless you, Pashenka! I am going now. If you pity me, don't tell anyone that you have seen me. For the love of God don't tell anyone. Thank you. I would bow to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eve and David by Honore de Balzac:

temper; he dreams, he does not think; he spends himself in emotion, he does not create. He is, in fact--permit me to say it-- a womanish creature that loves to shine, the Frenchman's great failing. Lucien will always sacrifice his best friend for the pleasure of displaying his own wit. He would not hesitate to sign a pact with the Devil to-morrow if so he might secure a few years of luxurious and glorious life. Nay, has he not done worse already? He has bartered his future for the short-lived delights of living openly with an actress. So far, he has not seen the dangers of his position; the girl's youth and beauty and devotion (for she worships him) have closed his eyes to the truth; he