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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

order as regards direction, the number of whorls and intersection. Both of them are logarithmic spirals. I see no mechanism of the legs, be they long or short, that can account for this alteration.

Can it then be a premeditated design on the part of the Epeira? Can there be calculation, measurement of angles, gauging of the parallel by means of the eye or otherwise? I am inclined to think that there is none of all this, or at least nothing but an innate propensity, whose effects the animal is no more able to control than the flower is able to control the arrangement of its verticils. The Epeira practises higher geometry without knowing or caring. The thing works of itself and takes its impetus from an


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

did not communicate with the other two, and could only be approached by a passage inside the house. Thus it had a privacy which made it a convenient place for a maiden's meditations without words, and also for the discourses, apparently without sense, which, passing between a young man and a maid, become pregnant with a diversity of transcendental meanings.

This north verandah was embowered with climbing plants. Freya, whose room opened out on it, had furnished it as a sort of boudoir for herself, with a few cane chairs and a sofa of the same kind. On this sofa she and Jasper sat as close together as is possible in this imperfect world where neither can a body be in two places at


'Twixt Land & Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Faraday as a Discoverer by John Tyndall:

of producing motion has been augmented by the increase of the distance. These remarks apply to all bodies, whether they be sensible masses or molecules.

Of the inner quality that enables matter to attract matter we know nothing; and the law of conservation makes no statement regarding that quality. It takes the facts of attraction as they stand, and affirms only the constancy of working-power. That power may exist in the form of MOTION; or it may exist in the form of FORCE, with distance to act through. The former is dynamic energy, the latter is potential energy, the constancy of the sum of both being affirmed by the law of conservation. The convertibility of natural forces