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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

well this spring and summer as always. There is a certain amount of cunning and finesse required to roll a cigar just so, that M'sieu seemed to be losing, whether from age or deterioration it was hard to tell. Nevertheless, there was just about half as much money coming in as formerly, and the quaint little pucker between M'sieu's eyebrows which served for a frown came oftener and stayed longer than ever before.

"Minesse," he said one day to the white cat,--he told all his troubles to her; it was of no use to talk to Ma'am Jeanne, she was too deaf to understand,--"Minesse, we are gettin' po'. You' pere git h'old, an' hees han's dey go no mo' rapidement, an' dere


The Goodness of St. Rocque and Other Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

face had been seen but fitfully in Hintock; and he would probably have disappeared from the place altogether but for his slight business connection with Melbury, on whose premises Giles kept his cider-making apparatus, now that he had no place of his own to stow it in. Coming here one evening on his way to a hut beyond the wood where he now slept, he noticed that the familiar brown- thatched pinion of his paternal roof had vanished from its site, and that the walls were levelled. In present circumstances he had a feeling for the spot that might have been called morbid, and when he had supped in the hut aforesaid he made use of the spare hour before bedtime to return to Little Hintock in the twilight


The Woodlanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

the shadows.

*******

"Who's going for the mail?" called a woman's voice through the trees.

Lute closed the book from which they had been reading, and sighed.

"We weren't going to ride to-day," she said.

"Let me go," Chris proposed. "You stay here. I'll be down and back in no time."

She shook her head.

"Who's going for the mail?" the voice insisted.

"Where's Martin?" Lute called, lifting; her voice in answer.

"I don't know," came the voice. "I think Robert took him along

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alcibiades I by Plato:

evidence about them can be adduced. And we are as confident that the Epistles are spurious, as that the Republic, the Timaeus, and the Laws are genuine.

On the whole, not a twentieth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves and two or three other plausible inventions, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy (see above). That twentieth debatable portion scarcely in any degree affects our judgment of Plato, either as a thinker or a writer, and though suggesting some interesting questions to the scholar and critic, is of little importance to the general reader.