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Today's Stichomancy for Cameron Diaz

The first excerpt represents the past or something you must release, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

soldiers. "Why do you wish to destroy everything we have? If you have more need of these things than we have, why not take them with you and leave us in peace?"

The soldiers, becoming saddened with remorse, refused further to pursue their path of destruction--the entire army scattering in many directions.

CHAPTER XII.

The old devil, failing to ruin Ivan's kingdom with soldiers, transformed himself into a nobleman, dressed exquisitely, and became one of Ivan's subjects, with the intention of compassing the downfall of his kingdom--as he had done with that of Tarras.


The Kreutzer Sonata
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it, as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon her throne. The verses, which were entitled "The Haunted Palace," ran very nearly, if not accurately, thus:

I.


The Fall of the House of Usher
The third excerpt represents the future or something you must embrace, and is drawn from Tales of Unrest by Joseph Conrad:

they would disappear into the earth as the first one had disappeared. His people must keep away from them, and hope for the best.

Kayerts and Carlier did not disappear, but remained above on this earth, that, somehow, they fancied had become bigger and very empty. It was not the absolute and dumb solitude of the post that impressed them so much as an inarticulate feeling that something from within them was gone, something that worked for their safety, and had kept the wilderness from interfering with their hearts. The images of home; the memory of people like them, of men that thought and felt as they used to think and feel, receded into distances made indistinct by the glare of unclouded sunshine. And out of the great silence of the


Tales of Unrest