The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London: [Pause.]
Well, I faked that fight.
MAUD. [Springing to him and shaking his hand.] Thank God! Oh!
You are a man! A--a--a hero!
FITZSIMMONS. [Dryly, feeling in his pocket.] Let's have a smoke.
[He fails to find cigarette case.]
MAUD. I can't tell you how glad I am you told me that.
FITZSIMMONS. [Gruffly.] Forget it. [He looks on table, and
fails to find cigarette case. Looks at her suspiciously, then
crosses to desk at right and reaches for telephone.]
MAUD. [Curiously.] What are you going to do?
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: inconvenient. This is scarcely fair; for the feeling on which
it merely attends, like an ill-humoured courtier, is itself
artificial in exactly the same sense and to the same degree.
I suppose what is meant by that objection is that jealousy has
not always been a character of man; formed no part of that
very modest kit of sentiments with which he is supposed to
have begun the world: but waited to make its appearance in
better days and among richer natures. And this is equally
true of love, and friendship, and love of country, and delight
in what they call the beauties of nature, and most other
things worth having. Love, in particular, will not endure any
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vicar of Tours by Honore de Balzac: a great advantage in a region where no one will put himself out for
anything whatsoever, not even to seek a pleasure.
The Abbe Birotteau had been about ten days at the Alouette, when, one
morning while he was breakfasting, the porter came to say that
Monsieur Caron desired to speak with him. Monsieur Caron was
Mademoiselle Gamard's laywer, and had charge of her affairs.
Birotteau, not remembering this, and unable to think of any matter of
litigation between himself and others, left the table to see the
lawyer in a stage of great agitation. He found him modestly seated on
the balustrade of a terrace.
"Your intention of ceasing to reside in Mademoiselle Gamard's house
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Don Quixote by Miquel de Cervantes: was alms they asked for in their song; and being, as Cide Hamete says,
remarkably charitable, he took out of his alforias the half loaf and
half cheese he had been provided with, and gave them to them,
explaining to them by signs that he had nothing else to give them.
They received them very gladly, but exclaimed, "Geld! Geld!"
"I don't understand what you want of me, good people," said Sancho.
On this one of them took a purse out of his bosom and showed it to
Sancho, by which he comprehended they were asking for money, and
putting his thumb to his throat and spreading his hand upwards he gave
them to understand that he had not the sign of a coin about him, and
urging Dapple forward he broke through them. But as he was passing,
Don Quixote |