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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades II by Platonic Imitator:

present evils might be averted, but called down new ones. And was not his prayer accomplished, and did not many and terrible evils thence arise, upon which I need not dilate?

ALCIBIADES: Yes, Socrates, but you are speaking of a madman: surely you do not think that any one in his senses would venture to make such a prayer?

SOCRATES: Madness, then, you consider to be the opposite of discretion?

ALCIBIADES: Of course.

SOCRATES: And some men seem to you to be discreet, and others the contrary?

ALCIBIADES: They do.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Odyssey by Homer:

I will tell thee all clearly, though great need there is of haste. I have slain the wooers in our halls and avenged their bitter scorn and evil deeds.'

Then Laertes answered him and spake, saying: 'If thou art indeed Odysseus, mine own child, that art come hither, show me now a manifest token, that I may be assured.'

Then Odysseus of many counsels answered him saying: 'Look first on this scar and consider it, that the boar dealt me with his white tusk on Parnassus, whither I had gone, and thou didst send me forth, thou and my lady mother, to Autolycus my mother's father, to get the gifts which when


The Odyssey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

inexhaustible theme--truly Dantesque. Do you think that it is nothing to have such a dream of vengeance, even for a moment? Handel, Sebastian Bach, all you old German masters, nay, even you, great Beethoven, on your knees! Here is the queen of arts, Italy triumphant!"

The Duchess had spoken while the curtain was being raised. And now the physician heard the sublime symphony with which the composer introduces the great Biblical drama. It is to express the sufferings of a whole nation. Suffering is uniform in its expression, especially physical suffering. Thus, having instinctively felt, like all men of genius, that here there must be no variety of idea, the musician,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Faraday as a Discoverer by John Tyndall:

it should have other uses than simply the conveyance of radiations.' When he speaks of the magnet in certain cases, 'revolving amongst its own forces,' he appears to have some conception of this kind in view.

A great part of the investigation completed in October, 1851, was taken up with the motions of wires round the poles of a magnet and the converse. He carried an insulated wire along the axis of a bar magnet from its pole to its equator, where it issued from the magnet, and was bent up so as to connect its two ends. A complete circuit, no part of which was in contact with the magnet, was thus obtained. He found that when the magnet and the external wire were rotated