The first excerpt represents the past or something you must release, and is drawn from A Tramp Abroad by Mark Twain: at the picture could never suggest that there was a hair
trunk in it; the Hair Trunk is not mentioned in the title
even--which is, "Pope Alexander III. and the Doge Ziani,
the Conqueror of the Emperor Frederick Barbarossa";
you see, the title is actually utilized to help
divert attention from the Trunk; thus, as I say,
nothing suggests the presence of the Trunk, by any hint,
yet everything studiedly leads up to it, step by step.
Let us examine into this, and observe the exquisitely
artful artlessness of the plan.
At the extreme left end of the picture are a couple of women,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lin McLean by Owen Wister: he beside me, talking while the moon grew small as it rose over the
plain, and the light steadily shone in Jessamine's window. Soon young
Billy fell asleep, and I looked at him, thinking how in a way it was he
who had brought this trouble on the man who had saved him and loved him.
But that man had no such untender thoughts. Once more the door opened,
and it was he who came this time, alone also. She did not follow him and
stand to watch him from the threshold, though he forgot to close the
door, and, coming over to me, stood looking down.
"What?" I said at length.
I don't know that he heard me. He stooped over Billy and shook him
gently. "Wake, son," said he. "You and I must get to our camp now."
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The third excerpt represents the future or something you must embrace, and is drawn from Prince Otto by Robert Louis Stevenson: across the very forehead of the hills, dipping into savage gorges,
and wetted by the spray of tiny waterfalls. Once it passed beside a
certain tower or castle, built sheer upon the margin of a formidable
cliff, and commanding a vast prospect of the skirts of Grunewald and
the busy plains of Gerolstein. The Felsenburg (so this tower was
called) served now as a prison, now as a hunting-seat; and for all
it stood so lonesome to the naked eye, with the aid of a good glass
the burghers of Brandenau could count its windows from the lime-tree
terrace where they walked at night.
In the wedge of forest hillside enclosed between the roads, the
horns continued all day long to scatter tumult; and at length, as
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