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Today's Stichomancy for Famke Janssen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love and Friendship by Jane Austen:

it was from this circumstance, of its being easily taken, or from a wish of being independant, or from an excess of sensibility (for which we were always remarkable) I cannot now determine, but certain it is that when we had reached our 15th year, we took the nine Hundred Pounds and ran away. Having obtained this prize we were determined to manage it with eoconomy and not to spend it either with folly or Extravagance. To this purpose we therefore divided it into nine parcels, one of which we devoted to Victuals, the 2d to Drink, the 3d to Housekeeping, the 4th to Carriages, the 5th to Horses, the 6th to Servants, the 7th to Amusements, the 8th to Cloathes and the 9th to Silver Buckles. Having thus arranged


Love and Friendship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

raate.

V. An' I hallus comed to 's choorch afoor moy Sally wur dead, An' 'eerd un a bummin' awaay loike a buzzard-clock* ower my yead, An' I niver knaw'd whot a mean'd but I thowt a 'ad summut to saay, An I thowt a said whot a owt to 'a said an' I comed awaay. *Cockchafer.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

the Custom House, the train service is so irregular, that they usually go off before they have reached their proper destination. If, however, you want one for home use, I can supply you with an excellent article, and guarantee that you will he satisfied with the result. May I ask for whom it is intended? If it is for the police, or for any one connected with Scotland Yard, I am afraid I cannot do anything for you. The English detectives are really our best friends, and I have always found that by relying on their stupidity, we can do exactly what we like. I could not spare one of them.'

'I assure you,' said Lord Arthur, 'that it has nothing to do with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

the sobriety of its winter colouring; and he wondered at its beauty; an essential beauty of the old earth it seemed to him, not resident in particulars but breathing to him from the whole. He surprised himself by a sudden impulse to write poetry - he did so sometimes, loose, galloping octo-syllabics in the vein of Scott - and when he had taken his place on a boulder, near some fairy falls and shaded by a whip of a tree that was already radiant with new leaves, it still more surprised him that he should have nothing to write. His heart perhaps beat in time to some vast indwelling rhythm of the universe. By the time he came to a corner of the valley and could see the kirk, he had so lingered by the way that the first psalm was finishing. The nasal