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Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

weary eyes gaze steadily ahead, as if there had been nothing between him and the straight line of sea and sky, where whatever a seaman is looking for is first bound to appear. But I have also seen his eyes rest fondly upon the faces in the room, upon the pictures on the wall, upon all the familiar objects of that home, whose abiding and clear image must have flashed often on his memory in times of stress and anxiety at sea. Was he looking out for a strange Landfall, or taking with an untroubled mind the bearings for his last Departure?

It is hard to say; for in that voyage from which no man returns Landfall and Departure are instantaneous, merging together into one


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from St. Ives by Robert Louis Stevenson:

fields, comrade,' said he. 'SANS RANCUNE!'

At this my horror redoubled. Here had we two expatriated Frenchmen engaged in an ill-regulated combat like the battles of beasts. Here was he, who had been all his life so great a ruffian, dying in a foreign land of this ignoble injury, and meeting death with something of the spirit of a Bayard. I insisted that the guards should be summoned and a doctor brought. 'It may still be possible to save him,' I cried.

The sergeant-major reminded me of our engagement. 'If you had been wounded,' said he, 'you must have lain there till the patrol came by and found you. It happens to be Goguelat - and so must he!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

had forgotten to tell my Finn to come back, so I drove into West Egg Village to search for her among soggy, whitewashed alleys and to buy some cups and lemons and flowers.

The flowers were unnecessary, for at two o'clock a greenhouse arrived from Gatsby's, with innumerable receptacles to contain it. An hour later the front door opened nervously, and Gatsby, in a white flannel suit, silver shirt, and gold-colored tie, hurried in. He was pale, and there were dark signs of sleeplessness beneath his eyes.

"Is everything all right?" he asked immediately.

"The grass looks fine, if that's what you mean."

"What grass?" he inquired blankly. "Oh, the grass in the yard." He looked


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alcibiades II by Platonic Imitator:

worse, pray for the greatest evils. No man would imagine that he would do so; he would rather suppose that he was quite capable of praying for what was best: to call down evils seems more like a curse than a prayer.

SOCRATES: But perhaps, my good friend, some one who is wiser than either you or I will say that we have no right to blame ignorance thus rashly, unless we can add what ignorance we mean and of what, and also to whom and how it is respectively a good or an evil?

ALCIBIADES: How do you mean? Can ignorance possibly be better than knowledge for any person in any conceivable case?

SOCRATES: So I believe:--you do not think so?

ALCIBIADES: Certainly not.