| The first excerpt represents the past or something you must release, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter: beautiful doll's-house; it was red
brick with white windows, and it had
real muslin curtains and a front door
and a chimney.
It belonged to two Dolls called
Lucinda and Jane; at least it belonged
to Lucinda, but she never ordered
meals.
Jane was the Cook; but she never
did any cooking, because the dinner
had been bought ready-made, in a
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cromwell by William Shakespeare: Upon the best lives that remains in France.--
[Enter a Servant.]
Stand back, or else thou run'st upon thy death.
MESSENGER.
Pardon, my Lord; I come to tell your honour,
That they have hired a Neopolitan,
Who by his Oratory hath promised them,
Without the shedding of one drop of blood,
Into their hands safe to deliver you,
And therefore craves none but himself may enter
And a poor swain that attends on him.
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The third excerpt represents the future or something you must embrace, and is drawn from The Wheels of Chance by H. G. Wells: umbrella stand. "Where is she? What has he done with her?" said
Mrs. Milton.
"I'm not going to stand here and be insulted by a lot of
strangers," said Mr. Hoopdriver. "So you needn't think it."
"Please don't worry, Mr. Hoopdriver," said Jessie, suddenly
appearing in the door of the dining-room. "I'm here, mother." Her
face was white.
Mrs. Milton said something about her child, and made an emotional
charge at Jessie. The embrace vanished into the dining-room.
Widgery moved as if to follow, and hesitated. "You'd better make
yourself scarce," he said to Mr. Hoopdriver.
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