The first excerpt represents the past or something you must release, and is drawn from The Profits of Religion by Upton Sinclair: soul, and was driven out by the formalists and hypocrites in high
places; a man who thinks of Jesus more frequently and with more
devotion than he thinks of any other man that lives or has ever
lived on earth; and who has but one purpose in all that he says
and does, to bring into reality the dream that Jesus dreamed of
peace on earth and good will toward men.
I will go farther yet and say that not merely is this book
written for the cause of Jesus, but it is written in the manner
of Jesus. We read his bitter railings at the Pharisees, and miss
the point entirely, because the word Pharisee has become to us a
word of reproach. But this is due solely to Jesus; in his time
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of Unrest by Joseph Conrad: christening, and Madame Levaille was godmother. The child turned out
an idiot too.
Then on market days Jean-Pierre was seen bargaining bitterly,
quarrelsome and greedy; then getting drunk with taciturn earnestness;
then driving home in the dusk at a rate fit for a wedding, but with a
face gloomy enough for a funeral. Sometimes he would insist on his
wife coming with him; and they would drive in the early morning,
shaking side by side on the narrow seat above the helpless pig, that,
with tied legs, grunted a melancholy sigh at every rut. The morning
drives were silent; but in the evening, coming home, Jean-Pierre,
tipsy, was viciously muttering, and growled at the confounded woman
Tales of Unrest |
The third excerpt represents the future or something you must embrace, and is drawn from Another Study of Woman by Honore de Balzac: to dream of a suspicion. Though my jealousy would have been of a
hundred and twenty Othello-power, that terrible passion slumbered in
me as gold in the nugget. I would have ordered my servant to thrash me
if I had been so base as ever to doubt the purity of that angel--so
fragile and so strong, so fair, so artless, pure, spotless, and whose
blue eyes allowed my gaze to sound it to the very depths of her heart
with adorable submissiveness. Never was there the slightest hesitancy
in her attitude, her look, or word; always white and fresh, and ready
for the Beloved like the Oriental Lily of the 'Song of Songs!' Ah! my
friends!" sadly exclaimed the Minister, grown young again, "a man must
hit his head very hard on the marble to dispel that poem!"
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