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Today's Stichomancy for Mikhail Gorbachev

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

me quite a touch of hay fever!" Fraulein Godowska said nothing. She swooped over a rose growing in the embryo orchard then stretched out her hand with a magnificent gesture to the Herr Professor. He presented me.

"This is my little English friend of whom I have spoken. She is the stranger in our midst. We have been eating cherries together."

"How delightful," sighed Frau Godowska. "My daughter and I have often observed you through the bedroom window. Haven't we, Sonia?"

Sonia absorbed my outward and visible form with an inward and spiritual glance, then repeated the magnificent gesture for my benefit. The four of us sat on the bench, with that faint air of excitement of passengers established in a railway carriage on the qui vive for the train whistle.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vendetta by Honore de Balzac:

jealousy that her rival's industry hid some purpose. By dint of watching her she was struck by the attentive air with which Ginevra seemed to be listening to sounds that no one else had heard. The expression of impatience she now detected in her companion's eyes was like a flash of light to her.

Amelie was the last of the pupils to leave the studio; from there she went down to Madame Servin's apartment and talked with her for a moment; then she pretended to have left her bag, ran softly back to the studio, and found Ginevra once more mounted on her frail scaffolding, and so absorbed in the contemplation of an unknown object that she did not hear the slight noise of her companion's footsteps.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Allan Quatermain by H. Rider Haggard:

It was a sickening and unnatural sight, and one that will haunt all who saw it till their dying day -- enacted as it was in the deep, oppressive gloom, and set to the unceasing music of the many-toned nerve-shaking echoes. Strange as it may seem to say so, there was something so shockingly human about these fiendish creatures -- it was as though all the most evil passions and desires of man had got into the shell of a magnified crab and gone mad. They were so dreadfully courageous and intelligent, and they looked as if they understood. The whole scene might have furnished material for another canto of Dante's 'Inferno', as Curtis said.


Allan Quatermain
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

died before we made land. Miss Porter was carried off into the jungle by some wild animal while I was lying delirious with fever. Clayton died of the same fever but a few days since. And to think that all this time we have been separated by but a few miles--scarcely a day's march. It is terrible!"

How long Jane Porter lay in the darkness of the vault beneath the temple in the ancient city of Opar she did not know. For a time she was delirious with fever, but after this passed she commenced slowly to regain her strength. Every day the woman who brought her food beckoned to her to arise, but for many days the girl could only shake her


The Return of Tarzan