The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield: me quite a touch of hay fever!" Fraulein Godowska said nothing. She
swooped over a rose growing in the embryo orchard then stretched out her
hand with a magnificent gesture to the Herr Professor. He presented me.
"This is my little English friend of whom I have spoken. She is the
stranger in our midst. We have been eating cherries together."
"How delightful," sighed Frau Godowska. "My daughter and I have often
observed you through the bedroom window. Haven't we, Sonia?"
Sonia absorbed my outward and visible form with an inward and spiritual
glance, then repeated the magnificent gesture for my benefit. The four of
us sat on the bench, with that faint air of excitement of passengers
established in a railway carriage on the qui vive for the train whistle.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vendetta by Honore de Balzac: jealousy that her rival's industry hid some purpose. By dint of
watching her she was struck by the attentive air with which Ginevra
seemed to be listening to sounds that no one else had heard. The
expression of impatience she now detected in her companion's eyes was
like a flash of light to her.
Amelie was the last of the pupils to leave the studio; from there she
went down to Madame Servin's apartment and talked with her for a
moment; then she pretended to have left her bag, ran softly back to
the studio, and found Ginevra once more mounted on her frail
scaffolding, and so absorbed in the contemplation of an unknown object
that she did not hear the slight noise of her companion's footsteps.
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