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Today's Stichomancy for Pamela Anderson

The first excerpt represents the past or something you must release, and is drawn from The Water-Babies by Charles Kingsley:

lights on board peep out one by one, and die out again, and the long bar of smoke fade away into the evening mist, till all was out of sight.

And he swam northward again, day after day, till at last he met the King of the Herrings, with a curry-comb growing out of his nose, and a sprat in his mouth for a cigar, and asked him the way to Shiny Wall; so he bolted his sprat head foremost, and said:

"If I were you, young Gentleman, I should go to the Allalonestone, and ask the last of the Gairfowl. She is of a very ancient clan, very nearly as ancient as my own; and knows a good deal which these modern upstarts don't, as ladies of old houses are likely to do."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

gave the neighbourhood, this gusty autumn morning, an untimely smell of hay. On the opposite bank of the Allier the land kept mounting for miles to the horizon: a tanned and sallow autumn landscape, with black blots of fir-wood and white roads wandering through the hills. Over all this the clouds shed a uniform and purplish shadow, sad and somewhat menacing, exaggerating height and distance, and throwing into still higher relief the twisted ribbons of the highway. It was a cheerless prospect, but one stimulating to a traveller. For I was now upon the limit of Velay, and all that I beheld lay in another county - wild Gevaudan, mountainous, uncultivated, and but recently disforested from terror of the

The third excerpt represents the future or something you must embrace, and is drawn from Shadow out of Time by H. P. Lovecraft:

have drawn me on after that hideous suspicion of prints and the creeping dream-memories it excited. Yet my right hand, even as it shook with fright, still twitched rhythmically in its eagerness to turn a lock it hoped to find. Before I knew it I was past the heap of lately fallen cases and running on tiptoe through aisles of utterly unbroken dust toward a point which I seemed to know morbidly, horribly well. My mind was asking itself questions whose origin and relevancy I was only beginning to guess. Would the shelf be reachable by a human body? Could my human hand master all the aeon-remembered motions of the lock? Would the lock be


Shadow out of Time