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Today's Stichomancy for Salma Hayek

The first excerpt represents the past or something you must release, and is drawn from The Age of Innocence by Edith Wharton:

Marchioness Manson fluttered out of the drawing-room window. As usual, she was extraordinarily festooned and bedizened, with a limp Leghorn hat anchored to her head by many windings of faded gauze, and a little black velvet parasol on a carved ivory handle absurdly balanced over her much larger hatbrim.

"My dear Newland, I had no idea that you and May had arrived! You yourself came only yesterday, you say? Ah, business--business--professional duties . . . I understand. Many husbands, I know, find it impossible to join their wives here except for the week-end." She

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

And what's yet worse, it doesn't seem to matter; He treads along through Time's old wilderness As if the tramp of all the centuries Had left no roads -- and there are none, for him; He doesn't see them, even with those eyes, -- And that's a pity, or I say it is. Accordingly we have him as we have him -- Going his way, the way that he goes best, A pleasant animal with no great noise Or nonsense anywhere to set him off -- Save only divers and inclement devils

The third excerpt represents the future or something you must embrace, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

consequently have busied ourselves at length with those cases where we could gain something like an adequate conception of the antecedents in family and developmental histories and where some measure of the psychogenetic features could be taken. Cases of older individuals with their prolonged and often picturesque careers, equivalent to those recounted in European literature, we have left strictly alone. One ever finds that the older the individual the less one can learn satisfactorily of beginnings of tendencies, just on account of the unreliability of the principal actor in the drama. The cases of older swindlers at first sight seem to offer much for the student of criminalistics, if only for