The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Macbeth by William Shakespeare: And such an Instrument I was to vse.
Mine Eyes are made the fooles o'th' other Sences,
Or else worth all the rest: I see thee still;
And on thy Blade, and Dudgeon, Gouts of Blood,
Which was not so before. There's no such thing:
It is the bloody Businesse, which informes
Thus to mine Eyes. Now o're the one halfe World
Nature seemes dead, and wicked Dreames abuse
The Curtain'd sleepe: Witchcraft celebrates
Pale Heccats Offrings: and wither'd Murther,
Alarum'd by his Centinell, the Wolfe,
Macbeth |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nada the Lily by H. Rider Haggard: he had murdered, and I groaned also, but I did not weep, because it
was dark, and on the morrow I must weep much in the sight of king and
men. Therefore, I spared my tears, lest they should fail me in my
need.
All night long the people drew on from every side towards the kraal,
and, as they came in thousands and tens of thousands, they filled the
night with their cries, till it seemed as though the whole world were
mourning, and loudly. None might cease their crying, and none dared to
drink so much as a cup of water. The daylight came, and Chaka rose,
saying, "Come, let us go forth, Mopo, and look on those who mourn with
us." So we went out, and after us came men armed with clubs to do the
Nada the Lily |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey: enabled people to live under primitive conditions. Somehow this fact
inhibited Carley's sense of repulsion at their rude and uncouth appearance.
Had any of her forefathers ever been pioneers? Carley did not know, but the
thought was disturbing. It was thought-provoking. Many times at home, when
she was dressing for dinner, she had gazed into the mirror at the graceful
lines of her throat and arms, at the proud poise of her head, at the
alabaster whiteness of her skin, and wonderingly she had asked of her image:
"Can it be possible that I am a descendant of cavemen?" She had never been
able to realize it, yet she knew it was true. Perhaps somewhere not far
back along her line there had been a great-great-grandmother who had lived
some kind of a primitive life, using such implements and necessaries as
The Call of the Canyon |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Symposium by Xenophon: The Apology 1
On Revenues 1
The Hiero 1
The Agesilaus 1
The Polity of the Athenians and the Lacedaemonians 2
Text in brackets "{}" is my transliteration of Greek text into
English using an Oxford English Dictionary alphabet table. The
diacritical marks have been lost.
The Symposium
By Xenophon
Translation by H. G. Dakyns
The Symposium |