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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Night and Day by Virginia Woolf:

all her attention.

CHAPTER VIII

She took her letters up to her room with her, having persuaded her mother to go to bed directly Mr. Hilbery left them, for so long as she sat in the same room as her mother, Mrs. Hilbery might, at any moment, ask for a sight of the post. A very hasty glance through many sheets had shown Katharine that, by some coincidence, her attention had to be directed to many different anxieties simultaneously. In the first place, Rodney had written a very full account of his state of mind, which was illustrated by a sonnet, and he demanded a reconsideration of their position, which agitated Katharine more than she liked. Then

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

time to time, as indignation flashes from his eyes or anger clouds his forehead. He is composing articles, delivering orations, and conducting the most impassioned interviews, by the way. A little farther on, and it is as like as not he will begin to sing. And well for him, supposing him to be no great master in that art, if he stumble across no stolid peasant at a corner; for on such an occasion, I scarcely know which is the more troubled, or whether it is worse to suffer the confusion of your troubadour, or the unfeigned alarm of your clown. A sedentary population, accustomed, besides, to the strange mechanical bearing of the common tramp, can in no

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

My compunction was real; I laid my hand on his shoulder. "I beg you to forgive me - I've made a mistake. You don't know what I thought you knew. You could, if I had been right, have rendered me a service; and I had my reasons for assuming that you'd be in a position to meet me."

"Your reasons?" he asked. "What were your reasons?"

I looked at him well; I hesitated; I considered. "Come and sit down with me here, and I'll tell you." I drew him to a sofa, I lighted another cigar and, beginning with the anecdote of Vereker's one descent from the clouds, I recited to him the extraordinary chain of accidents that had, in spite of the original gleam, kept

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

all seasons an infinite melancholy piping of hill birds. Standing so high and with so little shelter, it was a cold, exposed house, splashed by showers, drenched by continuous rains that made the gutters to spout, beaten upon and buffeted by all the winds of heaven; and the prospect would be often black with tempest, and often white with the snows of winter. But the house was wind and weather proof, the hearths were kept bright, and the rooms pleasant with live fires of peat; and Archie might sit of an evening and hear the squalls bugle on the moorland, and watch the fire prosper in the earthy fuel, and the smoke winding up the chimney, and drink deep of the pleasures of shelter.

Solitary as the place was, Archie did not want neighbours. Every night,