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Today's Stichomancy for Eric Bana

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lesson of the Master by Henry James:

of resistance to the pressure of the mass, to preserve an interval between their noses and the glazed mounts of the pictures; while the central body, in the comparative gloom projected by a wide horizontal screen hung under the skylight and allowing only a margin for the day, remained upright dense and vague, lost in the contemplation of its own ingredients. This contemplation sat especially in the sad eyes of certain female heads, surmounted with hats of strange convolution and plumage, which rose on long necks above the others. One of the heads Paul perceived, was much the so most beautiful of the collection, and his next discovery was that it belonged to Miss Fancourt. Its beauty was enhanced by the glad

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Timaeus by Plato:

dodecahedron, cannot be formed by a combination of either of these triangles, but each of its faces may be regarded as composed of thirty triangles of another kind. Probably Plato notices this as the only remaining regular polyhedron, which from its approximation to a globe, and possibly because, as Plutarch remarks, it is composed of 12 x 30 = 360 scalene triangles (Platon. Quaest.), representing thus the signs and degrees of the Zodiac, as well as the months and days of the year, God may be said to have 'used in the delineation of the universe.' According to Plato earth was composed of cubes, fire of regular pyramids, air of regular octahedrons, water of regular icosahedrons. The stability of the last three increases with the number of their sides.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

recognize his greatness; we salute him with respect; we listen to him. He says to us: 'Gentlemen, my life and talents are worth so much; on my productions I will pay you such or such percentage.' Very good; what do we do? Instantly, without reserve or hesitation, we admit him to the great festivals of civilization as an honored guest--"

"You need wine for that," interposed the madman.

"--as an honored guest. He signs the insurance policy; he takes our bits of paper,--scraps, rags, miserable rags!--which, nevertheless, have more power in the world than his unaided genius. Then, if he wants money, every one will lend it to him on those rags. At the Bourse, among bankers, wherever he goes, even at the usurers, he will

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

Is it that insidious smile with which our petition has been lately received? Trust it not, sir; it will prove a snare to your feet. Suffer not yourselves to be betrayed with a kiss. Ask yourselves how this gracious reception of our petition comports with those warlike preparations which cover our waters and darken our land. Are fleets and armies necessary to a work of love and reconciliation? Have we shown ourselves so unwilling to be reconciled that force must be called in to win back our love? Let us not deceive ourselves, sir. These are the implements of war and subjugation; the last arguments to which kings resort. I ask gentlemen, sir, what means this martial array, if its purpose be not to force us to submission? Can gentlemen assign any other possible motive for it? Has Great Britain any enemy, in this quarter of