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Today's Stichomancy for Muhammad Ali

The first excerpt represents the past or something you must release, and is drawn from The Deputy of Arcis by Honore de Balzac:

In fact, his answer /is/ irresistible. The convent of the Ursuline sisters--heavens and earth! that can't be the rendezvous of makers of false coin; and if the Mother Marie-des-Anges guarantees my father to me, as it appears she has already done to the notary, I should be foolish indeed to persist in my doubts.

"Very good," I said to Jacques Bricheteau, "I will go up and get my hat and walk up and down the bank of the river until you are ready."

"That's right; and be sure you watch the door of the hotel to see that I do not give you the slip as I did once upon a time on the Quai de Bethune."

Impossible to be more intelligent than that man; he seems to divine

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Symposium by Xenophon:

success rejoice together, in misfortune share their troubles; and so long as health endures make merry cheer, day in day out; or if either of them should fall on sickness, then will their intercourse be yet more constant; and if they cared for one another face to face, much more will they care when parted.[39] Are not all these the outward tokens of true loveliness?[40] In the exercise of such sweet offices, at any rate, they show their passion for holy friendship's state, and prove its bliss, continuously pacing life's path from youth to eld.

[38] For beauty of style (in the original) Zeune cf. "Mem." II. vi. 28 foll.; III. xi. 10.

[39] "Albeit absent from one another in the body, they are more


The Symposium
The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

the stairs across the hall to the boudoir, the door of which she shut behind her.

As I ran out to the tennis court a few moments later, I had to pass the open boudoir window, and was unable to help overhearing the following scrap of dialogue. Mary Cavendish was saying in the voice of a woman desperately controlling herself:

"Then you won't show it to me?"

To which Mrs. Inglethorp replied:

"My dear Mary, it has nothing to do with that matter."

"Then show it to me."

"I tell you it is not what you imagine. It does not concern you


The Mysterious Affair at Styles