The first excerpt represents the past or something you must release, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville: people, where the custom is such, that the first night that they be
married, they make another man to lie by their wives for to have
their maidenhead: and therefore they take great hire and great
thank. And there be certain men in every town that serve of none
other thing; and they clepe them cadeberiz, that is to say, the
fools of wanhope. For they of the country hold it so great a thing
and so perilous for to have the maidenhead of a woman, that them
seemeth that they that have first the maidenhead putteth him in
adventure of his life. And if the husband find his wife maiden
that other next night after that she should have been lain by of
the man that is assigned therefore, peradventure for drunkenness or
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Marriage Contract by Honore de Balzac: The young notary drew his client into the next room, saying to
himself, as he did so:--
"I get a three-thousand franc fee for the guardianship account, three
thousand for the contract, six thousand on the sale of the house,
fifteen thousand in all--better not be angry."
He closed the door, cast on Madame Evangelista the cool look of a
business man, and said:--
"Madame, having, for your sake, passed--as I did--the proper limits of
legal craft, do you seriously intend to reward my devotion by such
language?"
"But, monsieur--"
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The third excerpt represents the future or something you must embrace, and is drawn from The Waste Land by T. S. Eliot: _Poi s'ascose nel foco che gli affina
Quando fiam ceu chelidon_ -- O swallow swallow
_Le Prince d'Aquitaine à la tour abolie_
These fragments I have shored against my ruins 430
Why then Ile fit you. Hieronymo's mad againe.
Datta. Dayadhvam. Damyata.
Shantih shantih shantih
Line 415 aetherial] aethereal
Line 428 ceu] uti -- Editor
NOTES
Not only the title, but the plan and a good deal of the
The Waste Land |