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Today's Stichomancy for Nicky Hilton

The first excerpt represents the past or something you must release, and is drawn from Damaged Goods by Upton Sinclair:

He was suffering intensely--the emotion described by the poet in the bitter words about "Time's moving finger having writ." His mind, seeking some explanation, some justification, went back to the events before that night. With a sudden pang of yearning, he thought of Lizette. She was a decent girl, and had kept him decent, and he was lonely without her. He had been so afraid of being found out that he had given her up when he became engaged; but now for a while he felt that he would have to break his resolution, and pay his regular Sunday visit to the little flat in the working-class portion of Paris.

It was while George was fitting himself for the same career as

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Young Forester by Zane Grey:

young gent Dick's lookin' fer from down East?"

"Yes."

"Come right in, sonny, come right in an' eat. Dick allus eats with me, an' he has spoke often 'bout you." He led me in, and seated me at a bench where several men were eating. They were brawny fellows, clad in overalls and undershirts, and one, who spoke pleasantly to me, had sawdust on his bare arms and even in his hair. The cook set before me a bowl of soup, a plate of beans, potroast, and coffee, all of which I attacked with a good appetite. Presently the men finished their meat and went outside, leaving me alone with the cook.

"Many men on this job?" I asked.


The Young Forester
The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

Emphatically, that's THAT!

She thought of Michaelis, and the money she might have had with him; and even that she didn't want. She preferred the lesser amount which she helped Clifford to make by his writing. That she actually helped to make.--'Clifford and I together, we make twelve hundred a year out of writing'; so she put it to herself. Make money! Make it! Out of nowhere. Wring it out of the thin air! The last feat to be humanly proud of! The rest all-my-eye-Betty-Martin.

So she plodded home to Clifford, to join forces with him again, to make another story out of nothingness: and a story meant money. Clifford seemed to care very much whether his stories were considered


Lady Chatterley's Lover