The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: unfold itself in! My daughter is singularly blessed. Sybilla,
point out some of the details to Mr. Wyant; I see that he will
appreciate them."
The girl turned her dense blue eyes toward Wyant; then, glancing
away from him, she pointed to the canvas.
"Notice the modeling of the left hand," she began in a monotonous
voice; "it recalls the hand of the Mona Lisa. The head of the
naked genius will remind you of that of the St. John of the
Louvre, but it is more purely pagan and is turned a little less
to the right. The embroidery on the cloak is symbolic: you will
see that the roots of this plant have burst through the vase.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain: is bawled from aloft. "Overhaul your clew-lines!" shouts the
mate. "Aye-aye, sir, all clear!"--"Taut leech! belay! Well the
lee brace; haul taut to windward!" and the royals are set.
What would the captain of any sailing-vessel of our time say
to that? He would say, "The man that wrote that didn't learn his
trade out of a book, he has BEEN there!" But would this same
captain be competent to sit in judgment upon Shakespeare's
seamanship--considering the changes in ships and ship-talk that
have necessarily taken place, unrecorded, unremembered, and lost
to history in the last three hundred years? It is my conviction
that Shakespeare's sailor-talk would be Choctaw to him. For
What is Man? |