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Today's Stichomancy for John Dillinger

The first excerpt represents the past or something you must release, and is drawn from The Foolish Virgin by Thomas Dixon:

firmly declared.

"All right, little bright eyes," he responded cheerfully as he lit a cigarette and sent the smoke curling above his red head.

She sat for a while in silence, studying the man before her. The task was delicate and difficult. And she had thought it a mere pastime of love! As her fiance, he had been wax in her hands. As her husband, he was a lazy, headstrong, obstinate young animal grinning good-naturedly at her futile protests. How long would he grin and bear her suggestions with

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell:

oats, and if one of them said that such and such a field was just right for cabbages, the other would declare that it was useless for anything except roots. Each had his own following, and there were some violent debates. At the Meetings Snowball often won over the majority by his brilliant speeches, but Napoleon was better at canvassing support for himself in between times. He was especially successful with the sheep. Of late the sheep had taken to bleating "Four legs good, two legs bad" both in and out of season, and they often interrupted the Meeting with this. It was noticed that they were especially liable to break into "Four legs good, two legs bad" at crucial moments in Snowball's speeches. Snowball had made a close study of some back numbers of the 'Farmer and


Animal Farm
The third excerpt represents the future or something you must embrace, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

creeps with physical repulsion; my soul revolts against the sight of you.'

Zero burst into tears. 'Alas!' he sobbed, 'this snaps the last link that bound me to humanity. My friend disowns - he insults me. I am indeed accurst.'

Somerset stood for an instant staggered by this sudden change of front. The next moment, with a despairing gesture, he fled from the room and from the house. The first dash of his escape carried him hard upon half-way to the next police- office: but presently began to droop; and before he reached the house of lawful intervention, he fell once more among