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Today's Stichomancy for Stephen Hawking

The first excerpt represents the past or something you must release, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!"

"Oh. I know pink and yellow aren't becoming to me," began Anne.

"Becoming fiddlesticks! It was putting flowers on your hat at all, no matter what color they were, that was ridiculous. You are the most aggravating child!"

"I don't see why it's any more ridiculous to wear flowers on your hat than on your dress," protested Anne. "Lots of little girls there had bouquets pinned on their dresses. What's the difference?"


Anne of Green Gables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was


An Occurrence at Owl Creek Bridge
The third excerpt represents the future or something you must embrace, and is drawn from Kwaidan by Lafcadio Hearn:

of the owner of the mirror that had made so much trouble. One of these persons was a woman called Umegae,-- famed in Japanese legend because of her relation to Kajiwara Kagesue, a warrior of the Heike clan. While the pair were traveling together, Kajiwara one day found himself in great straits for want of money; and Umegae, remembering the tradition of the Bell of Mugen, took a basin of bronze, and, mentally representing it to be the bell, beat upon it until she broke it,-- crying out, at the same time, for three hundred pieces of gold. A guest of the inn where the pair were stopping made inquiry as to the cause of the banging and the crying, and, on learning the story of the trouble, actually presented Umegae with three hundred ryo (3) in gold. Afterwards a song was made about Umegae's basin


Kwaidan