The first excerpt represents the past or something you must release, and is drawn from Merry Men by Robert Louis Stevenson: It was perhaps a year after this marriage that Will was awakened
late one night by the sound of a horse galloping on the road,
followed by precipitate knocking at the inn-door. He opened his
window and saw a farm servant, mounted and holding a led horse by
the bridle, who told him to make what haste he could and go along
with him; for Marjory was dying, and had sent urgently to fetch him
to her bedside. Will was no horseman, and made so little speed
upon the way that the poor young wife was very near her end before
he arrived. But they had some minutes' talk in private, and he was
present and wept very bitterly while she breathed her last.
CHAPTER III. DEATH
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from From London to Land's End by Daniel Defoe: entrenchments, encampments, buildings, and other fortifications,
which are indeed very agreeable to a traveller that has read
anything of the history of the country. Old Sarum is as remarkable
as any of these, where there is a double entrenchment, with a deep
graff or ditch to either of them; the area about one hundred yards
in diameter, taking in the whole crown of the hill, and thereby
rendering the ascent very difficult. Near this there is one farm-
house, which is all the remains I could see of any town in or near
the place (for the encampment has no resemblance of a town), and
yet this is called the borough of Old Sarum, and sends two members
to Parliament. Whom those members can justly say they represent
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The third excerpt represents the future or something you must embrace, and is drawn from Eugenie Grandet by Honore de Balzac: blushed as she touched the pink nails of her cousin with the tips of
her fingers.
"See, mamma, what beautiful workmanship."
"My! there's a lot of gold!" said Nanon, bringing in the coffee.
"What is that?" exclaimed Charles, laughing, as he pointed to an
oblong pot of brown earthenware, glazed on the inside, and edged with
a fringe of ashes, from the bottom of which the coffee-grounds were
bubbling up and falling in the boiling liquid.
"It is boiled coffee," said Nanon.
"Ah! my dear aunt, I shall at least leave one beneficent trace of my
visit here. You are indeed behind the age! I must teach you to make
Eugenie Grandet |