| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry: toward the Majesty of Heaven, which I revere above all earthly kings.
Mr. President, it is natural to man to indulge in the illusions of hope.
We are apt to shut our eyes against a painful truth, and listen to the
song of that siren till she transforms us into beasts. Is this the part
of wise men, engaged in a great and arduous struggle for liberty?
Are we disposed to be of the number of those who, having eyes, see not,
and, having ears, hear not, the things which so nearly concern their
temporal salvation? For my part, whatever anguish of spirit it may cost,
I am willing to know the whole truth; to know the worst, and to provide for it.
I have but one lamp by which my feet are guided, and that is the lamp of
experience. I know of no way of judging of the future but by the past.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin: have proceeded from the seeds of the same tree. Innumerable other examples
could be given. The explanation, I think, is simple: from long-continued
study they are strongly impressed with the differences between the several
races; and though they well know that each race varies slightly, for they
win their prizes by selecting such slight differences, yet they ignore all
general arguments, and refuse to sum up in their minds slight differences
accumulated during many successive generations. May not those naturalists
who, knowing far less of the laws of inheritance than does the breeder, and
knowing no more than he does of the intermediate links in the long lines of
descent, yet admit that many of our domestic races have descended from the
same parents--may they not learn a lesson of caution, when they deride the
On the Origin of Species |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: gallop, the rider ought to bend forward, since the horse will be less
likely to slip from under; and so to pitch his rider off. So again in
pulling him up short[8] the rider should lean back; and thus escape a
shock. In leaping a ditch or tearing up a steep incline, it is no bad
plan to let go the reins and take hold of the mane, so that the animal
may not feel the burthen of the bit in addition to that of the ground.
In going down a steep incline the rider must throw himself right back
and hold in the horse with the bit, to prevent himself being hurled
headforemost down the slope himself if not his horse.
[7] Or, "to each set of occurrences."
[8] Al. "when the horse is being brought to a poise" (Morgan); and see
On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pride and Prejudice by Jane Austen: Jane, nor half so good-humoured as Lydia. But you are always
giving HER the preference."
"They have none of them much to recommend them," replied
he; "they are all silly and ignorant like other girls; but Lizzy has
something more of quickness than her sisters."
"Mr. Bennet, how CAN you abuse your own children in such a
way? You take delight in vexing me. You have no compassion
for my poor nerves."
"You mistake me, my dear. I have a high respect for your
nerves. They are my old friends. I have heard you mention
them with consideration these last twenty years at least."
Pride and Prejudice |
