Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Magic of Oz by L. Frank Baum:

do hope the Glass Cat will hurry, and I hope the Wizard won't waste time a-comin' to us."

Trot sighed again and watched the wonderful Magic Flower, because there was nothing else to do. Just now a lovely group of pink peonies budded and bloomed, but soon they faded away, and a mass of deep blue lilies took their place. Then some yellow chrysanthemums blossomed on the plant, and when they had opened all their petals and reached perfection, they gave way to a lot of white floral balls spotted with crimson--a flower Trot had never seen before.

"But I get awful tired watchin' flowers an' flowers an' flowers," she said impatiently.


The Magic of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Horsemanship by Xenophon:

purchase will show equal docility in response to the whip. Every one knows what a useless thing a servant is, or a body of troops, that will not obey. A disobedient horse is not only useless, but may easily play the part of an arrant traitor.

And since it is assumed that the horse to be purchased is intended for war, we must widen our test to include everything which war itself can bring to the proof: such as leaping ditches, scrambling over walls, scaling up and springing off high banks. We must test his paces by galloping him up and down steep pitches and sharp inclines and along a slant. For each and all of these will serve as a touchstone to gauge the endurance of his spirit and the soundness of his body.


On Horsemanship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gorgias by Plato:

death. Minos, Rhadamanthus, and Aeacus were appointed to be the judges; Rhadamanthus for Asia, Aeacus for Europe, and Minos was to hold the court of appeal. Now death is the separation of soul and body, but after death soul and body alike retain their characteristics; the fat man, the dandy, the branded slave, are all distinguishable. Some prince or potentate, perhaps even the great king himself, appears before Rhadamanthus, and he instantly detects him, though he knows not who he is; he sees the scars of perjury and iniquity, and sends him away to the house of torment.

For there are two classes of souls who undergo punishment--the curable and the incurable. The curable are those who are benefited by their punishment; the incurable are such as Archelaus, who benefit others by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

Just to wear it! But his mother told him, "No." She told him he must take great care of his suit, for never would he have another nearly so fine; he must save it and save it and only wear it on rare and great occasions. It was his wedding suit, she said. And she took his buttons and twisted them up with tissue paper for fear their bright newness should be tarnished, and she tacked little guards over the cuffs and elbows and wherever the suit was most likely to come to harm. He hated and resisted these things, but what could he do? And at last her warnings and persuasions had effect and he consented to take off his beautiful suit and fold it into its proper creases and put it away. It was almost as though