The first excerpt represents the past or something you must release, and is drawn from The Prince by Nicolo Machiavelli: them otherwise than by ruining them. And he who becomes master of a
city accustomed to freedom and does not destroy it, may expect to be
destroyed by it, for in rebellion it has always the watchword of
liberty and its ancient privileges as a rallying point, which neither
time nor benefits will ever cause it to forget. And whatever you may
do or provide against, they never forget that name or their privileges
unless they are disunited or dispersed, but at every chance they
immediately rally to them, as Pisa after the hundred years she had
been held in bondage by the Florentines.
But when cities or countries are accustomed to live under a prince,
and his family is exterminated, they, being on the one hand accustomed
The Prince |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philebus by Plato: above all, and then he proceeds to puzzle his neighbours, whether they are
older or younger, or of his own age--that makes no difference; neither
father nor mother does he spare; no human being who has ears is safe from
him, hardly even his dog, and a barbarian would have no chance of escaping
him, if an interpreter could only be found.
PROTARCHUS: Considering, Socrates, how many we are, and that all of us are
young men, is there not a danger that we and Philebus may all set upon you,
if you abuse us? We understand what you mean; but is there no charm by
which we may dispel all this confusion, no more excellent way of arriving
at the truth? If there is, we hope that you will guide us into that way,
and we will do our best to follow, for the enquiry in which we are engaged,
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The third excerpt represents the future or something you must embrace, and is drawn from Peter Pan by James M. Barrie: a drawer, until a fitting opportunity came for telling her
husband. Ah me!
The opportunity came a week later, on that never-to-be-
forgotten Friday. Of course it was a Friday.
"I ought to have been specially careful on a Friday," she used
to say afterwards to her husband, while perhaps Nana was on the
other side of her, holding her hand.
"No, no," Mr. Darling always said, "I am responsible for it
all. I, George Darling, did it. MEA CULPA, MEA CULPA." He had
had a classical education.
They sat thus night after night recalling that fatal Friday,
Peter Pan |