The first excerpt represents the past or something you must release, and is drawn from The Atheist's Mass by Honore de Balzac: religious people declare to be impossible. This opinion could
scarcely exist otherwise in a man who was accustomed from his
youth to dissect the creature above all others--before, during,
and after life; to hunt through all his organs without ever
finding the individual soul, which is indispensable to religious
theory. When he detected a cerebral centre, a nervous centre, and
a centre for aerating the blood--the first two so perfectly
complementary that in the latter years of his life he came to a
conviction that the sense of hearing is not absolutely necessary
for hearing, nor the sense of sight for seeing, and that the
solar plexus could supply their place without any possibility of
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchess of Padua by Oscar Wilde: Whence, like a mighty river, justice flows,
Without thy presence justice is dried up
And fails of purpose: thou must tarry here.
DUCHESS
What, wilt thou keep me here against my will?
LORD JUSTICE
We pray thy will be not against the law.
DUCHESS
What if I force my way out of the court?
LORD JUSTICE
Thou canst not force the Court to give thee way.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Man against the Sky by Edwin Arlington Robinson: In Gilead, or in Tilbury Town.
And if I see what I can see,
I know not any way to blind it;
Nor more if any way may be
For you to grope or fly to find it.
"There may be room for ruin yet,
And ashes for a wasted love;
Or, like One whom you may forget,
I may have meat you know not of.
And if I'd rather live than weep
Meanwhile, do you find that surprising?
|