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Today's Stichomancy for Steve Jobs

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

friends in G-. But during the time of his stay in the house he had had but one caller, a gentleman who came on the evening of the 23rd of September. The old maid had opened the door for him and showed him to Mr. Siders' rooms. She described this visitor as having a full black beard, and wearing a broad-brimmed grey felt hat. Nobody saw the man go out, for the old maid, the only person in the house at the time, had retired early. Mrs. Winter and her little girl were spending the night with the former's mother in a distant part of the city. The next morning the old servant, taking the lodger's coffee up to him at the usual hour, found him dead on the floor of his sitting-room, shot through the heart. The woman ran screaming

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The White Moll by Frank L. Packard:

above the floor.

"Go down there. Right to the wall - in the center," instructed Gypsy Nan weakly. And then, as Rhoda Gray obeyed: "Now push up on that wide board in the ceiling."

Rhoda Gray. already in a stooped position, reached up, and pushed at a rough, unplaned board. It swung back without a sound, like a narrow trap-door, until it rested in an upright position against the outer frame of the house, disclosing an aperture through which, by standing erect, Rhoda Gray easily thrust her head and shoulders.

She raised the candle then through the opening - and suddenly her dark eyes widened in amazement. It was a hiding place, not only

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

(7) Is the ROYAL GEORGE an ode, or only an elegy? It's so good.

(8) We leave Campbell to you.

(9) If you take anything from Clough, but we don't either of us fancy you will, let it be COME BACK.

(10) Quite right about Dryden. I had a hankering after THRENODIA AUGUSTALIS; but I find it long and with very prosaic holes: though, O! what fine stuff between whiles.

(11) Right with Collins.

(12) Right about Pope's Ode. But what can you give? THE DYING CHRISTIAN? or one of his inimitable courtesies? These last are fairly odes, by the Horatian model, just as my dear MEDDOWES is an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

come in great numbers we may be unable to oppose them, for my people are little trained to fighting at best; they surely would cause us much injury and suffering."

"Are we, then, less powerful than in my grandfather's day?" asked Prince Inga.

The King shook his head thoughtfully.

"It is not that," said he. "That you may fully understand that marvelous battle, I must confide to, you a great secret. I have in my possession three Magic Talismans, which I have ever guarded with utmost care, keeping the knowledge of their existence from anyone


Rinkitink In Oz