The first excerpt represents the past or something you must release, and is drawn from The Battle of the Books by Jonathan Swift: mongrel curs, whom native greediness and domestic want provoke and
join in partnership, though fearful, nightly to invade the folds of
some rich grazier, they, with tails depressed and lolling tongues,
creep soft and slow. Meanwhile the conscious moon, now in her
zenith, on their guilty heads darts perpendicular rays; nor dare
they bark, though much provoked at her refulgent visage, whether
seen in puddle by reflection or in sphere direct; but one surveys
the region round, while the other scouts the plain, if haply to
discover, at distance from the flock, some carcase half devoured,
the refuse of gorged wolves or ominous ravens. So marched this
lovely, loving pair of friends, nor with less fear and
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: at whose aspect a thousand confused thoughts spring into his mind? At
that sight we are suddenly interested, either by features of some
fantastic conformation which reveal an agitated life, or by a singular
effect of the whole person, produced by gestures, air, gait, clothes;
or by some deep, intense look; or by other inexpressible signs which
seize our minds suddenly and forcibly without our being able to
explain even to ourselves the cause of our emotion. The next day other
thoughts and other images have carried out of sight that passing
dream. But if we meet the same personage again, either passing at some
fixed hour, like the clerk of a mayor's office, or wandering about the
public promenades, like those individuals who seem to be a sort of
Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie: Bauerstein remained in the background, his grave bearded face
unchanged. Dr. Wilkins was the spokesman for the two. He
addressed himself to John:
"Mr. Cavendish, I should like your consent to a postmortem."
"Is that necessary?" asked John gravely. A spasm of pain crossed
his face.
"Absolutely," said Dr. Bauerstein.
"You mean by that----?"
"That neither Dr. Wilkins nor myself could give a death
certificate under the circumstances."
John bent his head.
The Mysterious Affair at Styles |