The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London: farther edge of it rising steeply like the wall of a canyon, and
when our anchors started up that wall they hit in and held.
Yet, when we fetched up, through the darkness we could hear the
seas breaking on the solid shore astern, and so near was it that
we shortened the skiff's painter.
Daylight showed us that between the stern of the skiff and
destruction was no more than a score of feet. And how it did
blow! There were times, in the gusts, when the wind must have
approached a velocity of seventy or eighty miles an hour. But the
anchors held, and so nobly that our final anxiety was that the
for'ard bitts would be jerked clean out of the boat. All day the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner: "You are right," he said to the valet, "the door is locked from the
inside. We'll have to go through the bedroom. Johann, bring me a
chisel or a hatchet. Muller, you stay here and open the door when
the doctor comes."
Muller nodded. Johann disappeared, returning in a few moments with
a small hatchet, and followed the commissioner through the
dining-room. It was an attractive apartment with its high wooden
paneling and its dainty breakfast table. But a slight shiver ran
through the commissioner's frame as he realised that some misfortune,
some crime even might be waiting for them on the other side of the
closed door. The bedroom door also was locked on the inside, and
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