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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Turn of the Screw by Henry James:

which the child's face now received it fairly likened my breach of the silence to the smash of a pane of glass. It added to the interposing cry, as if to stay the blow, that Mrs. Grose, at the same instant, uttered over my violence-- the shriek of a creature scared, or rather wounded, which, in turn, within a few seconds, was completed by a gasp of my own. I seized my colleague's arm. "She's there, she's there!"

Miss Jessel stood before us on the opposite bank exactly as she had stood the other time, and I remember, strangely, as the first feeling now produced in me, my thrill of joy at having brought on a proof. She was there, and I was justified;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

withered from his face--happily for him--yet more happily for myself, for in another instant I had certainly dragged him from his perch. At the inn, as I entered, I looked about me with so black a countenance as made the attendants tremble; not a look did they exchange in my presence; but obsequiously took my orders, led me to a private room, and brought me wherewithal to write. Hyde in danger of his life was a creature new to me; shaken with inordinate anger, strung to the pitch of murder, lusting to inflict pain. Yet the creature was astute; mastered his fury with a great effort of the will; composed his two important letters, one to Lanyon and one to Poole; and that he might receive actual


The Strange Case of Dr. Jekyll and Mr. Hyde
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twilight Land by Howard Pyle:

his life. It was like the sunlight shining in his eyes, and he almost sneezed. Her cheeks were like milk and rose-leaves, and her hair like fine threads of gold. She sat in a golden coach with a golden crown upon her head, and Jacob Stuck stood looking and looking until his heart melted within him like wax in the oven. Then the princess was gone, and Jacob Stuck stood there sighing and sighing.

"Oh, dear! Dear!" said he, "what shall I do? For, proud as she is, I must see her again or else I will die of it."

All that day he sat sighing and thinking about the beautiful princess, until the evening had come. Then he suddenly thought of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Start in Life by Honore de Balzac:

united by chance do not immediately have anything to say to one another; unless under special circumstances, conversation rarely begins until they have gone some distance. This period of silence is employed as much in mutual examination as in settling into their places. Minds need to get their equilibrium as much as bodies. When each person thinks he has discovered the age, profession, and character of his companions, the most talkative member of the company begins, and the conversation gets under way with all the more vivacity because those present feel a need of enlivening the journey and forgetting its tedium.

That is how things happen in French stage-coaches. In other countries