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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

lacelike foliage at the blue sky, and she thought and wondered and did not care.

More rattling shots disturbed the noonday quiet. She heard a sliding of weathered rock, a hoarse shout of warning, a yell of alarm, again the clear, sharp crack of the rifle, and another cry that was a cry of death. Then rifle reports pierced a dull volley of revolver shots. Bullets whizzed over Jane's hiding-place; one struck a stone and whined away in the air. After that, for a time, succeeded desultory shots; and then they ceased under long, thundering fire from heavier guns.

Sooner or later, then, Jane heard the cracking of horses' hoofs


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

"We'll get the Professor to sing it for you," said Sylvie. "It would spoil it to say it."

"I would like to meet the Professor," I said. "And I would like to take you all with me, to see some friends of mine, that live near here. Would you like to come?"

"I don't think the Professor would like to come," said Sylvie. "He's very shy. But we'd like it very much. Only we'd better not come this size, you know."

The difficulty had occurred to me already: and I had felt that perhaps there would be a slight awkwardness in introducing two such tiny friends into Society. "What size will you be?" I enquired.


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac:

with one another and the centripetal action of their internal motion did not deter him from seeking the parent stalk on which his clusters hung. Alas, poor man! the more he widened space the heavier his burden grew. He told you how there came to be equilibrium among the parts, but whither went the whole? His mind contemplated the vast extent, illimitable to human eyes, filled with those groups of worlds a mere fraction of which is all our telescopes can reach, but whose immensity is revealed by the rapidity of light. This sublime contemplation enabled him to perceive myriads of worlds, planted in space like flowers in a field, which are born like infants, grow like men, die as the aged die, and live by assimilating from their atmosphere the


Seraphita
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

confidences,--I must now ask you to allow me to leave you. I see a melody beckoning to me, dancing and floating before me, bare and quivering, like a girl entreating her lover for her clothes which he has hidden. Good-night. I must go and dress my mistress. My wife I leave with you."

He hurried away, as a man who blames himself for the loss of valuable time; and Marianna, somewhat embarrassed, prepared to follow him.

Andrea dared not detain her.

Giardini came to the rescue.

"But you heard, signora," said he. "Your husband has left you to settle some little matters with the Signor Conte."


Gambara