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Survey .. Have you ever used Pamerisms ?

The first excerpt represents the past or something you must release, and is drawn from Collection of Antiquities by Honore de Balzac:

the rest. And, finally, Chesnel knew old Blondet well enough to feel sure that if he ever swerved from impartiality, it would be for the sake of the work of his whole lifetime,--to secure his son's appointment. So Chesnel slept, full of confidence, on the resolve to go to M. Blondet and offer to realize his so long cherished hopes, while he opened his eyes to President du Ronceret's treachery. Blondet won over, he would take a peremptory tone with the examining magistrate, to whom he hoped to prove that if Victurnien was not blameless, he had been merely imprudent; the whole thing should be shown in the light of a boy's thoughtless escapade.

But Chesnel slept neither soundly nor for long. Before dawn he was

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Collection of Antiquities by Honore de Balzac:

"If the Comtesse d'Esgrignon were one du Croisier's niece, for instance, would you receive her?" asked Chesnel.

"Perhaps," replied the Duchess; "but the King, beyond all doubt, would be very glad to see her.--So you do not know what is going on in the world?" continued she, seeing the amazement in their faces. "Victurnien has been in Paris; he knows how things go there. We had more influence under Napoleon. Marry Mlle. Duval, Victurnien; she will be just as much Marquise d'Esgrignon as I am Duchesse de Maufrigneuse."

"All is lost--even honor!" said the Chevalier, with a wave of the hand.

The third excerpt represents the future or something you must embrace, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

the russet gold of the sunshine mottled only the hill-tops now; in the valleys there was a duskier brown, deepening every moment. Margret turned from the road, and went down the fields. One did not wonder, feeling the silence of these hills and broad sweeps of meadow, that this woman, coming down from among them, should be strangely still, with dark questioning eyes dumb to their own secrets.

Looking into her face now, you could be sure of one thing: that she had left the town, the factory, the dust far away, shaken the thought of them off her brain. No miles could measure the distance between her home and them. At a stile across the field


Margret Howth: A Story of To-day