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The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

being shot, the snapping of the lock, and the echo of an affected gurgling laugh within.

"I didn't want to upset him," the man said, after a short silence. "What's the meaning of all this? He isn't quite crazy."

"He has been worrying a long time about his lost son," said Bessie, in a low, apologetic tone.

"Well, I am his son."

"Harry!" she cried--and was profoundly si- lent.

"Know my name? Friends with the old man,


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fanny Herself by Edna Ferber:

"Come in," she said, between her teeth. "That isn't your work."

"Somebody had to be there. Pearl's at dinner. And Aloysius and Eddie were--"

"Then leave it alone. We're not starving--yet. I won't have you selling fireworks like that--on the street. I won't have it! I won't have it!"

The store was paying, now. Not magnificently, but well enough. Most of the money went to Theodore, in Dresden. He was progressing, though not so meteorically as Bauer and Schabelitz had predicted. But that sort of thing took time,


Fanny Herself
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure to perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.


An Occurrence at Owl Creek Bridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Wild by Jack London:

He was beaten (he knew that); but he was not broken. He saw, once for all, that he stood no chance against a man with a club. He had learned the lesson, and in all his after life he never forgot it. That club was a revelation. It was his introduction to the reign of primitive law, and he met the introduction halfway. The facts of life took on a fiercer aspect; and while he faced that aspect uncowed, he faced it with all the latent cunning of his nature aroused. As the days went by, other dogs came, in crates and at the ends of ropes, some docilely, and some raging and roaring as he had come; and, one and all, he watched them pass under the dominion of the man in the red sweater. Again and