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Today's Stichomancy for Abraham Lincoln

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Sportsman by Xenophon:

close and dogging puss at every turn. Twist for twist and turn for turn, they, too, must follow in a succession of swift and brilliant bursts, interrupted by frequent doublings; while ever and again they give tongue and yet again till the very welkin rings.[19] One thing they must not do, and that is, leave the scent and return crestfallen to the huntsman.[20]

[18] Lit. "let them follow up the chase vigorously, and not relax, with yelp and bark."

[19] {dikaios}, Sturz, "non temere"; "and not without good reason." Al. "a right good honest salvo of barks."

[20] Lit. "Let them not hark back to join the huntsman, and desert the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great God Pan by Arthur Machen:

a rather curious sketch amongst the pile of old newspapers at the house in Paul Street? Here it is."

Villiers drew out a small thin parcel from his pocket. It was covered with brown paper, and secured with string, and the knots were troublesome. In spite of himself Clarke felt inquisitive; he bent forward on his chair as Villiers painfully undid the string, and unfolded the outer covering. Inside was a second wrapping of tissue, and Villiers took it off and handed the small piece of paper to Clarke without a word.

There was dead silence in the room for five minutes or more; the two man sat so still that they could hear the ticking


The Great God Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

congregation honored this apostrophe half drowned this extraordinary interruption; and though there was some little commotion in the immediate vicinity of the speaker, the rest of the audience continued to listen intently. "What," proceeded the preacher, pointing to the corse, "what hath laid thee there, servant of God?"--"Pride, ignorance, and fear," answered the same voice, in accents still more thrilling. The disturbance now became universal. The preacher paused, and a circle opening, disclosed the figure of a monk belonging to the convent, who stood among them.

. . . . .

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salome by Oscar Wilde:

Ce n'est pas une chose qu'une vierge doive regarder. Quel plaisir cela pourrait-il vous donner? Aucun. Non, non, vous ne voulez pas cela . . . Ecoutez-moi un instant. J'ai une emeraude, une grande emeraude ronde que le favori de Cesar m'a envoyee. Si vous regardiez e travers cette emeraude vous pourriez voir des choses qui se passent e une distance immense. Cesar lui-meme en porte une tout e fait pareille quand il va au cirque. Mais la mienne est plus grande. Je sais bien qu'elle est plus grande. C'est la plus grande emeraude du monde. N'est-ce pas que vous voulez cela? Demandez-moi cela et je vous le donnerai.

SALOME. Je demande la tete d'Iokanaan.