| The first excerpt represents the past or something you must release, and is drawn from The Talisman by Walter Scott: knight, these are her very words--Tell him that the hand which
dropped roses can bestow laurels."
This allusion to their meeting in the chapel of Engaddi sent a
thousand recollections through Sir Kenneth's brain, and convinced
him that the message delivered by the dwarf was genuine. The
rosebuds, withered as they were, were still treasured under his
cuirass, and nearest to his heart. He paused, and could not
resolve to forego an opportunity, the only one which might ever
offer, to gain grace in her eyes whom he had installed as
sovereign of his affections. The dwarf, in the meantime,
augmented his confusion by insisting either that he must return
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Phoenix and the Turtle by William Shakespeare: Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
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The third excerpt represents the future or something you must embrace, and is drawn from The Sportsman by Xenophon: are incited to adopt the worse cause in speech and course in
action.[17] And with what result?--from vain and empty arguments they
contract emnities, and reap the fruit of evil deeds, diseases, losses,
death--to the undoing of themselves, their children, and their
friends.[18] Having their senses dulled to things evil, while more
than commonly alive to pleasures, how shall these be turned to good
account for the salvation of the state? Yet from these evils every one
will easily hold aloof, if once enamoured of those joys whose brief I
hold, since a chivalrous education teaches obedience to laws, and
renders justice familiar to tongue and ear.[19]
[16] See "Hellenica Essays," p. 371.
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